Programs Supported - Premiere Pro CC, After Effects CC, Final Cut Pro X, Speedgrade, Photoshop, Da Vinci Resolve, Sony Vegas 13+, AVID and many more. Package Contents - 3 x LUTs SLOG2, 2 x LUTs SLOG3, 1 LUT DJI DLOG, (Different shades and remastered January 2019), Monitor LUTs, Instructions. Created by Bounce Color. SONY PXW FS7, Ziess 85MM CP Prime F 2.1, Odyssey 7Q Recorder. 4K color corrected in DaVinci Resolve from SLOG 3 Cine to SONY REC 709 LUT. SLOG3 to SONY REC 709 LUT on Vimeo Join. Click Update Lists. You can now select the LUTs from 3D LUT. In actual editing, you may need to adjust the contrast before applying a LUT. In this case, go ahead and adjust the contrast before applying the LUT. With the LUT applied and your clip shown in colors for a Rec. 709 screen, you can now color grade it as you imagined it.
• Amira look for slog3 sgamut3.cine Made by Dennis Hingsberg (Amira look for slog3 sgamut3.cine)
• -1 and -2 Exposure compensated 3D LUTs Made by Dennis Hingsberg for LC709 and LC709A
• Alexa_LogC_2_Rec709 From BMD Davinci Resolve
• Bleach_bypass – (deliver us from Evil) LUT for slog2
• RosolveCubeFiles.zip – issued by Sony and contains: slog2-sgamut-to LC-709, LC709TypeA, Slog2-709, Cine+709
• SLog3SG3toSG3Cine.zip – converts sgamut3 to sgamut3.cine color space for easier grading
• SonyLookProfiles Slog3 Sgamut3Cine – issued by Sony and contains: slog3-sgamut3.cine to LC-709, LC709TypeA, Slog2-709, Cine+709
• f35-slog-to-lc709A – modified LC709A LUT using Ben’s calculator
• july282015-birthday-3DLUT.zip – Made by Dennis Hingsberg for slog3/sgamut3
• kodak_Fuji LUTs.zip – Kodak 2383/2393 and Fuji 3510/3513 film emulation LUTs
• legal-to-dataLevels.zip – Made by Dennis Hingsberg converts legal signal to data levels
• slog2_cross_process_01 – Made by Dennis Hingsberg. base is slog2-to-ACES emulation
• slog2_to_cineon.cube – MacGregor’s slog to cineon cube
• slog2sg_to_rec709_STARCentral.001 – LOW CON 01 LUT Made by Dennis Hingsberg. March 2013
• slog2sg_to_rec709_STARCentral.002 – GOLDEN TEXAS LUT Made by Dennis Hingsberg. March 2013
• slog2 to slog3 – Converts slog2 to slog3 Made by Dennis Hingsberg
• Sony Venice 3D LUT Sony’s Venice-like REC709 LUT for slog3/s-gamut3.cine footage
You can also purchase the Super Magenta Killer 3D LUT Pack by visiting this link!
Using Picture Profile presets with S-Log
When shooting in S-Log, use Picture Profile presets PP7, PP8, or PP9.
The PP7 preset combines S-Gamut and S-Log2, while PP8 is S-Gamut3.cine/S-Log3 and PP9 is S-Gamut3/S-Log3. Here, select PP7 (S-Gamut/S-Log2) and leave the preset details as-is. A distinction of this Picture Profile, intended for subsequent color grading, is a gamma broad enough for movie production.
Camera setting and types of Picture Profiles
MENU → (Camera Settings) → [Picture Profile] → desired setting.
- PP1:
- Example setting using [Movie] gamma
- PP2:
- Example setting using [Still] gamma
- PP3:
- Example setting of natural color tone using the [ITU709] gamma
- PP4:
- Example setting of a color tone faithful to the ITU709 standard
- PP5:
- Example setting using [Cine1] gamma
- PP6:
- Example setting using [Cine2] gamma
- PP7:
- Example setting using [S-Log2] gamma
- PP8:
- Example setting using the [S-Log3] gamma and the [S-Gamut3.Cine] under [Color Mode].
- PP9:
- Example setting using the [S-Log3] gamma and the [S-Gamut3] under [Color Mode].
- PP10:
- Example setting for recording HDR movies using [HLG2] gamma.
- Learn more
Why Log video looks faded and low-contrast
Often, gamuts used in professional video applications conform to ITU-R BT.709 (Rec. 709), established for HDTVs. This is illustrated below.
Here, the curved color space represents the range of human vision. The gamut of Rec. 709 is much narrower. In contrast, it is easy to appreciate how much broader S-Gamuts used in S-Log recording are.
When viewed on a screen designed for Rec. 709, Log video lacks contrast because the screen cannot display the full gamut.
The ITU-R BT.2020 gamut outlined in green can be reproduced by 4K equipment. This shows how much broader your creative palette is in 4K than in HD.
Appearance of S-Log2 video on a Rec. 709 screen
Easily reproducing colors on Rec. 709 screens with 3D LUTs
Optimal display of Log video on Rec. 709 screens requires color grading, when you will use lookup tables (LUTs). This conversion prepares the material for display on Rec. 709 screens.
Unlike 1D LUTs, which mainly adjust luminance, 3D LUTs control hue, saturation, and brightness of each RGB color. LUTs simplify color grading, because without them, instant S-Log video display matching the gamut of Rec. 709 screens would be difficult as you adjust tone curves, hue, saturation, and other details two-dimensionally.
When ILCE-1/ILCE-7SM3 has recorded movies in the [S-Log3] gamma and S-Gamut3.Cine under Color Mode or S-Gamut3 under Color Mode, you can use this LUT.
Using Gamma Display Assist and external monitors
To make it easier to check S-Log video on a Rec. 709 screen as you shoot, use Gamma Display Assist to apply LUTs. The contrast of viewfinder and monitor display will look as if you were not shooting in S-Log. In this way, Gamma Display Assist enables precise camerawork, whether you are checking subjects or adjusting the focus.
You can also take advantage of LUT-compatible external monitors, which are now more common.
Luts For Sony Slog
Comparison of using a LUT on an external monitor
This video introduces shooting in S-Log and shows how effective it can be.
When shooting in S-Log, you can choose S-Log2 or S-Log3. Colors are reproduced differently depending on your choice, so use the right option for your workflow.
Slog2 To Rec709
In this video, you can see how S-Log2 colors differ from those of S-Log3.